Brazilian documentary that tells the story of Titãs, the most famous rock band in the country. The film was directed by one of the members, Branco Mello, using images recorded from the early 80's until the present day.

The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.

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Iván Ávila Dueñas uses domestic found footage material. We observe a mineral engineer, a priest and a constructor filming their personal life in Zacatecas, Mexico between 1930 ad 1950.

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An adaptation of the short story with the same name by Portuguese writer Mário de Carvalho.

Nara is pregnant. They say she won't be a good mother. But everything in life is a matter of choice.

Márcia Haydée is a Brazilian dancer of worldwide consecration, known as the "Callas of dance", for her great interpretive power. In her career, she performed at the Ballet of the Marquis de Cuevas (FRA), but it was at the Stuttgart Ballet in Germany under the direction of John Cranko, who in the early 1960s she became the choreographer's muse and was revealed as a great performer and dancer. In the 1970s, after Cranko's death, Márcia took over the management of the company and stayed ahead for 20 years. She worked alongside big names such as Richard Cragun, Rudolf Nureyev, Jorge Donn, Maurice Bejárt, John Neumeier.

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